So the Los Angeles Museum of Contemporary Art is going to get rescued by a donation of $30 Million from Eli Broad. He says there are no strings attached. I don’t believe that but let’s pretend it is a perfect world and everything is fine. Okay, let’s see…
Does this mean that director Jeremy Strick will be canned?
Does this change MOCA from being the private country club for its trustees that it is?
Does this change MOCA from buying bullshit art – like curator Ann Goldstein’s terrible artist husband Christopher Williams, the most inconsequential photographer in the history of the medium?
Does this mean that when MOCA will stop with the bullshit shows “that question institutional practice” all the while reinforcing the careers of MOCA’s pet institution questioners?
Will a single fucker at MOCA please articulate in two comprehensible/logical sentences why Takashi Murakami and Martin Kippenberger are worthy of solo shows?… oh and when you do compose those two sentences, please skip the infantile OOO AAHHH Art Historically important, challenging, complex, bold and idiosyncratic vision, allows for multiple readings, fragments the point of reference… you know the fog an tripe that fills your catalogs and press releases but only pulls the handjob you are giving your art world friends deeper into your closet.
The answers are: Probably, No, No or the bitch will quit and name names, No and Not possible.
CROSS POSTED AT COAGULA.COM